5 to 7

April 3rd, 2015







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5 to 7

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Plot
An aspiring novelist enters into a relationship with a woman, though there's just one catch: She's married, and the couple can only meet between the hours of 5 and 7 each evening.

Release Year: 2014

Rating: 6.7/10 (247 voted)

Critic's Score: 57/100

Director: Victor Levin

Stars: Anton Yelchin, Bérénice Marlohe, Olivia Thirlby

Storyline
An aspiring novelist enters into a relationship with a woman, though there's just one catch: She's married, and the couple can only meet between the hours of 5 and 7 each evening.

Cast:
Anton Yelchin - Brian
Olivia Thirlby - Jane
Eric Stoltz - Galassi
Bérénice Marlohe - Arielle
Glenn Close - Arlene
Frank Langella - Sam
Lambert Wilson - Valery
Joe D'Onofrio - Waiter
Jocelyn DeBoer - Brian's wife
Dov Tiefenbach - Cashier
Amina Robinson - Nanny
Francesco D'Onofrio - Teen Mark
Heather Warren - Bookseller
Kelly Hartnett - Arielle Look alike
Gregg Micheals - Literary Patron

Country: USA

Language: English, French

Release Date: 12 February 2015

Filming Locations: New York City, New York, USA

Technical Specs

Runtime:



Did You Know?

Trivia:
Olivia and Anton shared the screen previously in 'New York I Love You'. See more »



User Review

Author:

Rating: 1/10

GENRE: Drama LOCATION: NYC VENUE: Art-house Film Festival in NJ WRITER/DIRECTOR: Victor Levin STARS: Glenn Close, Frank Langella, Lambert Wilson, Anton Yelchin (Star Trek), Bérénice Marlohe (Skyfall) PLOT: Am. writer falls for Fr. married woman with children

SCRIPT: poorly written. Character conversations are cliché'. MUSIC: distracting: does not match the events of the movie. COSTUME DESIGN: meant to mirror "Breakfast at Tiffany's" CHARACTER DEVELOPMENT: happens fast; hard to digest any relationships develop at all. ACTING: our "STAR TREK" actor is not lead material. If there is acting going on, I did not see it, he simply reiterates words on a page at best. Our lead actress should stick to foreign films or playing BOND girls. If not for Glenn Close and Frank Langella's 5-7 minutes, all would be lost. The BEST scene occurs when the Lambert Wilson's character as the husband approaches the writer.

OPINION: Not a film for SMART audiences. Meant to drive an audience towards tenderness, it is sloppily edited bouncing from park benches in Central Park to deficient acting. This seems to have been someone's idea that actually got made into a movie and should have stayed in their head. The writer fails to allow the audience to think for themselves, overstating every sentiment within the film. This could have been achieved by "demonstrating" cultural differences. Even the sex scenes are undeveloped: lead actor unconvincingly getting his pants off.

Movie goers will be disappointed. It will not be of interest to any X, Y, or Z generations. It misses being anywhere close to mirroring "Breakfast at Tiffany's" if not for the costuming. The Trailer cherry picks the only few moments of the movie that have any depth. Don't bother with video on demand (VOD) when you can wait a month for it to come out on Netflix.

TRAILER: https://www.youtube.com/watch?v=9HimzZ6QG2o





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