Plot
In a future world, young people are increasingly becoming addicted to an illegal (and potentially deadly) battle simulation game called Avalon...
Release Year: 2001
Rating: 6.6/10 (7,986 voted)
Director:
Mamoru Oshii
Stars: Malgorzata Foremniak, Wladyslaw Kowalski, Jerzy Gudejko
Storyline In a future world, young people are increasingly becoming addicted to an illegal (and potentially deadly) battle simulation game called Avalon. When Ash, a star player, hears of rumors that a more advanced level of the game exists somewhere, she gives up her loner ways and joins a gang of explorers. Even if she finds the gateway to the next level, will she ever be able to come back to reality?
Cast: Malgorzata Foremniak
-
Ash
Wladyslaw Kowalski
-
Game Master
Jerzy Gudejko
-
Murphy
Dariusz Biskupski
-
Bishop
Bartlomiej Swiderski
-
Stunner
(as Bartek Swiderski)
Katarzyna Bargielowska
-
Receptionist
Alicja Sapryk
-
Gill
Michal Breitenwald
-
Murphy of Nine Sisters
Zuzanna Kasz
-
Ghost
Adam Szyszkowski
-
Player A
Krzysztof Szczerbinski
-
Player B
(as Krszysztof Szczerbinski)
Marek Stawinski
-
Player C
Jaroslaw Budnik
-
Cooper
(voice)
Andrzej Debski
-
Cusinart
(voice)
Taglines:
Dare to enter a world of future videogames
Trivia:
Director Trademark:
[Mamoru Oshii]
[biblical quote]
Goofs:
Continuity:
When Ash starts searching for The Nine Sisters, she enters some keywords and the results show up on the monitor of her computer. However, the reflection on her glasses doesn't match what happens on her screen.
Quotes: Ash:
You're not ready yet for class A, you still have a lot of work to do in class C and B.
User Review
Brilliant, but not for everyone
Rating: 10/10
* Director
Oshii Mamuro. Known for his slow pace, attention to detail, quite
complicated storylines and his moodsetting. Always works together with
Kenji
Kawai (sound) and Ito (story). Other movies include Ghost In The Shell,
Patlabor 1/2/OAV/Minipato, Urutsei Yatsura:Beautiful Dreamer. Also
contributed to Jin-Roh and Blood. All these are worth a peek, especially
if
you like Avalon.
Strange little fact : Oshii's a total dog freak. Watch his movies
carefully.
* Story
Well, I can be short here. Set in an alternative present/future, a girl
(Ash) sets out to find a hidden level in a VR-game (Avalon). It may be a
bit
thin, but a good setup for the main theme of the movie. Besides that,
Oshii's movies were never all that story-based to begin with, as he pays
a
lot more attention to general moodsetting of his alternate realities. Oh,
and for those who claim it's too confusing, try to focus a bit. After two
viewings, most of it can be understood (minus a few little details). One
warning though. The pace is as slow as ever. Oshii is one to leave you a
lot
of time to think about certain things that happen. Some like this, most
of
you probably won't.
* Acting
Kinda hard to judge, as the movie was made in Poland, with Polish actors.
Personally, I find the acting adequate. No oscar nominations here, but
good
work from the leading actress and the guy that plays Murphy. It all
depends
on what you like. To me the charm came from the exotic language, some
will
probably find this a turn-off. The conversation is minimal and not so
important. It's just there to deliver the facts, not to explain emotions.
Comments about the coldness of Ash have nothing to do with bad acting,
but
with the character she plays (another one of Oshii's trademarks).
* Characters
Typical Oshii. A cold female in the leading role. The only time she shows
emotion is when she's in the vicinity of her dog / dogs in general.
Besides
that, she's an ice cube. Personally, I like 'em like that. The others are
interesting because of their little quirks and oddities, not because of
their background stories, emotional struggles or deeper motives. All in
all,
they're a memorable bunch, but only there because you can't make a movie
without characters.
* Themes
Every Oshii movie has it's own theme. Beautiful Dreamer was about the
boundary between dream and reality, Patlabor 1 about the relationship
between mankind and machinery and Patlabor 2 about war in general. Avalon
tries to question the boundary between reality and virtual reality, using
the first-person game genre as an ideal setup. Which world is real, which
isn't, does it actually matter and is there a way to find out what's real
and what isn't. Oshii poses all these questions, but doesn't deliver any
answers. Which, in my humble opinion, is the best way to handle it. When
a
movie does try to give you an answer (Existenz), it doesn't stimulate the
viewer to think about it afterwards. So, it all depends on what you're
looking for. You want some questions to think about, this is your movie,
you
want a quick story with cheesy moral (Existenz again),
avoid.
* Special effects
Again, the opinions here are diverse. I think it's one of the most
visually
impressive movies I've ever seen. Everything looks absolutely gorgeous,
especially when you compare the original shots with the result. But allow
me
to stretch the term SFX a bit. This isn't The Matrix with twirly, flashy,
in-your-face SFX. Instead, the first hour or so is completely reworked
with
a superb sepia-colored filter, which gives the movie a 1940 postcard
kinda
look. Besides that, the SFX are a lot more subtle. Those which are
in-your-face (like the rendered vehicles) are done nicely. I especially
liked the Citadel, and although the rendering is not perfect, the designs
are marvelous.
* Music
Oshii regular Kenji Kawai made all the songs for this film. Oshii's one
of
the last to realize the effect a good soundtrack has on a movie. And I
don't
mean finding some pop idols and putting them on a CD, but really
incorporating the songs in your movie for extra effect, and even working
the
other way around, by adjusting the images to the sound. All the songs
were
written for Avalon and vary from ambient to something close to opera.
Even
if you don't like the movie or haven't seen it yet, the soundtrack should
be
part of your CD/MP3 collection.
* General Moodsetting
Well, this is what makes the movie one of the best there is. It requires
a
special kind of taste to like it though. The characters' reality is a
bleak
and cold one, with little room for emotions, yet portrayed in such a way
that it still feels kind of warm and cosy. It's hard to explain but I
believe it's best compared with the darker side of romance. The feeling
you
get when you're sitting in front of your window, it's raining outside and
your girlfriend just left you. It's a sort of gentle comforting sadness.
He
atteigns this through the music, the sepia filter, slow pace and briliant
camera swoops/positions. One of the fears I had before I saw the movie,
was
that he wouldn't be able to capture this mood in a live action (he
normally
makes animated movies, which all have a certain style of their own to
begin
with), but he did a magnificent job. Very unique and stylish.
* Overall
I would like to say this movie has no similarities with The Matrix or
Existenz whatsoever. People who expect a movie like the afore mentioned
will
be disappointed. This is 100% Oshii. It's a bit difficult to recommend to
people who don't know him and his way of working. My advise is, try to
watch
Ghost In The Shell first. It has an easier job holding your attention (if
you like animation that is), but is still representative for his other
work.
Personally, I think this ranks among the five best movies ever. It's
refreshing, it's unique and made with passion. Hollywood fans beware,
others, try it out.
0