Plot
In 1885 New Mexico, a frontier medicine woman forms an uneasy alliance with her estranged father when her daughter is kidnapped by an Apache brujo.
Release Year: 2003
Rating: 6.4/10 (18,819 voted)
Critic's Score: 55/100
Director:
Ron Howard
Stars: Tommy Lee Jones, Cate Blanchett, Evan Rachel Wood
Storyline In 19th-century New Mexico, a father (Tommy Lee Jones) comes back home, hoping to reconcile with his adult daughter Maggie (Cate Blanchett). Maggie's daughter is kidnapped, forcing father and estranged daughter to work together to get her back.
Writers: Thomas Eidson, Ken Kaufman
Cast: Tommy Lee Jones
-
Samuel Jones
/
Chaa-duu-ba-its-iidan
Cate Blanchett
-
Magdalena Gilkeson
Evan Rachel Wood
-
Lilly Gilkeson
Jenna Boyd
-
Dot Gilkeson
Aaron Eckhart
-
Brake Baldwin
Val Kilmer
-
Lt. Jim Ducharme
Sergio Calderón
-
Emiliano
Eric Schweig
-
Pesh-Chidin
/
El Brujo
Steve Reevis
-
Two Stone
Jay Tavare
-
Kayitah
Simon Baker
-
Honesco, Kayitah's son
Ray McKinnon
-
Russell J. Wittick
Max Perlich
-
Isaac Edgerly
Ramon Frank
-
Grummond
Deryle J. Lujan
-
Naazhaao
/
'Hunter'
Taglines:
How far would you go, how much would you sacrifice to get back what you have lost?
Opening Weekend: $10,833,633
(USA)
(30 November 2003)
(2756 Screens)
Gross: $27,011,180
(USA)
(2004)
Technical Specs
Runtime:|
(extended version)
Did You Know?
Trivia: Tommy Lee Jones and Eric Schweig learned some Chiricahua Apache for this film. Their instructors were two of the last three remaining fluent speakers.
Goofs:
Anachronisms:
The pack horse wears a brass-buckled English leather halter (modern type of halter) throughout the movie.
Quotes: Lt. Jim Ducharme:
I don't know what they were thinking. Samuel Jones:
What makes you think they were thinking?
User Review
surprising hero, substantial villain
Rating:
This movie is about New Mexico, not Arizona, and therefore deals with some
elements of Southwestern frontier life that either are left out of most
"Westerns" or are portrayed in a completely different way.
The first element is "mixed blood" persons. Although it is never clear
whether Tommie Lee Jones' character is a white man living as an Apache, or
is a "mixed blood," of bi-racial parents, who tries to live as both white
and Apache, it doesn't matter. What matters about is that we see that only
the bad people, of both races, resent him. The good people of each race --
eventually -- accept him for who he is.
The second element is the general representation of English settlers.
Whenever an English person is shown in a Western movie it is either as a
silly dude or an arrogant gunslinger. But most English were, like Mr. John
Tunstall the rancher, from Canada, and were accustomed to the roughness of
frontier life. So, here, Cate Blanchett first appears on-screen in an
outhouse holding a wad of catalog paper.
The third element is the matter of social hypocrisy. Oscar Wilde (who once
visited the American West) said, "Hypocrisy is the tribute vice pays to
virtue." Thus, Cate Blanchett insists her occasional bed-mate never sleep
with her when visitors are present on the homestead. Rather, he should keep
up appearances, and sleep in his usual bed, in the bunk house. In other
frontier movies unmarried cohabitation is either flaunted or causes great
anxiety and guilt for the participants. But here, the characters of Cate
Blanchett and Aaron Eckhart realistically consider their behavior to be
decent and civilized.
The fourth difference has to do with the U.S. Army of the day (the 1880s).
Val Kilmer is perfect as a well-intentioned officer who is unable or
unwillling to take charge of them. To him, the mission must be defined by
headquarters, not by the obvious facts. Thus stripped of initiative, he
becomes more of a hindrance to peace in New Mexico Territory than a help.
Some viewers may find themselves wishing, "At least he could be evil!" but
it is not to be. Kilmer's character embodies that great grayness of real
life that Western movies try to clarify as black and white.
Five: Sexual slavery. Yup, folks, girls are being kidnapped and sold into
slavery elsewhere, for sexual purposes. This was not unusual in New Mexico.
This movie makes it horribly clear that for sexual purposes a stupid girl is
as good as a smart one, an ugly one as good as a pretty one, an unpleasant
one as good as a pleasant one. Nope, these girls are kidnapped for only one
quality, which as girls they all have equally.
The sixth element which distinguishes this from other Westerns is the
relationship of death and heroism. The heroism here is not the usual kind in
Westerns because it requires the hero to die. Otherwise, even if he was
successful in his mission, he would've been simply more powerful than the
villain, or luckier, and neither of those are moral qualities. The only
other stories where this is typical behavior is in Nordic stories -- the
only Viking heroes are dead, and they are heroes because they willingly died
in order to achieve their goals. The Norse heaven, Valhalla, is filled with
men who died trying.
The last difference is the substance of the villain. The bad guy here is a
"brujo," an Apache witch-man. But he is not the usual "renegade medicine
man" or fiercely-proud-but-understandably-misguided warrior. Nope, he
captains supernatural forces that most viewers normally associate with
wolfmen, vampires and so on. He really is evil, and his skills are greater
than Cate Blanchett's (she's a Christian healer). He is brilliantly
portrayed by Eric Schweig, whom most viewers probably have seen only as the
young Mohican in 1992's "The Last of the Mohicans." Schweig is one of those
actors who are usually assigned Indian roles because of their faces -- and
probably become dispirited after a few years, when they realize that no one
can or will write a role for them that is anything more than the usual.
There are only a handful of actors, of any race, who could've done justice
to this this "brujo" role. Schweig is so good here that the movie would've
been a "tour de force" for him had not Tommie Lee Jones' dramatic experience
stood in his way. In real life, Schweig is a mixed-blood Canadian, and a
maker of excellent masks. No one will ever let him play Hamlet, because of
his race, but maybe now screenwriters will see that serious roles can
actually be written for actors such as he.
In short, if you know New Mexico you'll deeply appreciate this movie, and
tip your hat to director Ron Howard if you ever see him.
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